*This is a "conspiracy theory" post/my usual "4th Reich" examination**: I ONLY used clips from Pink Floyd's The Wall a few days (daze) ago only to enhance the point I was making about the rise of Nazism and fascism in the U.S. I was not supporting Roger Waters and his political career of lambasting the U.S., to the cheers of the Progressives who take interviews with him on YouTube (I am not referring in any way to David Feldman but in effect agreeing with his "premise" which I find substantiated by the years of Waters doing the cyber hacking of his material into my YouTube channel--(discounting the algorithm effect that YouTube uses upon it's users). Although this is mere "speculation" I know that cyber hacking and stalking is a daily occurrence to the level of nearly 90% of my every click and search on social media (and much is restricted in searches in search engines, blocked, my emails have been long deleted so I get zero response from any potential friendly person, etc). -----------

 "Why Roger Waters Is Wrong". David Feldman. February 22, 2023.

I was impressed by the artistic rendering of how a fascist mentality is inculcated in a person through the "Hammering" of the soul-crushing social conformity series of "bricks" that Pink Floyd so successfully transmitted in that movie. It has taken me years to understand that most of the "alternative" artists are merely functioning as reverse psychology agents and their output is given major media attention in order to draw and lure people into the crux of their psy-ops campaigns, which is to "switch" programming just at crucial and sensitive moments--such as what David Feldman details here in this video. A successful psy-ops tactic is to present facts and suggestive information that are attuned to the targeted audience, and when "trust" has been achieved, the calculated input of a decisive tack of information/disinformation/mind programming installed through various agencies such as official United Nations endorsement and then subsequent "liberal" lectures where the programming can be fully achieved by the artist or personality who has garnered the "trust" of the fan-base or public into trusting their "alternative" or "anti-authoritarian" viewpoint.

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As for the issue of "blame" against Russia for the invasion of Ukraine, that is another topic of discussion. People and countries can be provoked into reactionary militaristic actions against other countries even if the country being attacked has not militaristically attacked the other country. In the case of Ukraine, the "attack" upon Russia was alliances of economic and political nature which would eventually undermine Russian investment and power in that region and also negate the former Warsaw Pact, which some people have mentioned but mostly this betrayal of that former pact to not creep more former Soviet bloc countries into NATO (expansion) has been obliterated by the NATO block.

However, I could see easily that Waters, with his internet cyber campaign and the lack of any support for me was a clear indication that he, on some level, supports this kind of racist/Nazi/Mafia/4th Reich terror campaign against me. Most of the people put into power representing this false dichotomy of "left" and "right" are exactly the same, so I know the pattern by now almost completely. What Waters does is being exposed due to a Tweet, what the more clever of the bigots and fascist Nazi/Mafia pundits performing their roles as "alternative" "liberals" is much more concealed and left untouched by the media, the "alternative" media and by society. The covert assassinations and silencing continues unabated so there is no voice in order to call out those who are fully protected while they publicly espouse "woke" values--the deception is grandiose and highly calculated in this fashion (fascist).
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Waters and Pink Floyd at least generated a competent psychological drama in The Wall depicting how a person can be remolded and shaped into this fascist form, and then how the "fans" can also be induced through mass hypnotic appeal combined with entertainment grandiosity, a la Wagner opera as one example of the integration of art and fascism and politics.
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Perhaps The Wall was just another form of programming by presenting a template for how fascist programming can be achieved in society. However, in America the programming is achieved by the media moreso than strict conformity to rules in the classroom, as was depicted by the English regarding their upbringing. As I have written for years, it's many English and other Europ-a persons who come from such similar generations of this kind of soul-crushing conformity social programming who, apparently, are fully in control over H-wood role leadership and fascist programming. Thusly, the Waters and Pink Floyd generation, which was instilled with these values post WWII or during WWII, are now effectively in control over media mind programming exertion but the method of instilling fascist ideology is based more on "freedom" entertainment and reversal psychology draped in the cloak of providing "woke" cultural shredding of former roles--but underlying are the same racist roles with the "oppressed" races soaking in glittering studded wealth, opulence which gives the pretentious appearance that the U.S. is "not racist" and is a "Land of Freedom and Opportunity". I have been writing endlessly about how incentive-based fascist programming is being achieved through the celebrities and politicians endlessly teleporting and attacking me with Europ-a's of this older generation and their vicious children generation expecting full slavery society dressed-up as "alternative" and "liberal". I can't describe how many of the former "hippies" of that generation have participated on some level in this fascist nazi/mafia terror campaign against me, in hopes of higher sales for their endless output about "caring" about society. I trust that back in the day, in keeping with the slow and covert assassination model, they replaced and imitated and stole material and style from those who truly were original and creative thinkers with soulful and caring personalities--who are now long dead.
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"The Doors--The End (Toronto, 1967)". JimJohnRayBobby. September 13, 2011.

Jim Morrison is an artist I hope was authentic and targeted for his actual and real desire to improve freedom with love on this planet (as opposed to just "drug culture" pornographic freedom to exploit--which is what some associate with that era and these artists who are now dead--). I know that my criminal defense uncle in Miami represented Jim Morrison during that famous trial for indecent exposure, back in that time (not going to look it all up--late 60's, it's presented in the film The Doors--my "Uncle" in the film was describing, "If you allow freedom of speech and art to be suppressed one day you will wake up screaming in your bed..." or something along those lines. My uncle is a fervent supporter of fascism and white supremacy and Nazism, and his wife ("Jewish") even more staunch in that respect. She claimed that she would not allow her children to be exposed to Morrison for even a few minutes because he was such a contaminating force. These people trained their children to be conformist, and their children were fighting because one wanted some crayon or doll, and I told them to "share" and have fun instead of fighting. They stopped fighting and it was peaceful. When I left--having only met them once, the children screamed and cried for me not to leave because my cousin--who introduced me to the Italian mafia who have since tried to enslave and poison me to death with their approval--but he would treat this little girl with disdain but "lovingly" so she "thought" it was "normal" family love--but it was oppression for "Jewish women" that continues upon me (by the planet, apparently so it would seem from lack of any support to me--Taliban style, in essence). The system continues, my Uncle has been named a top charity contributer in Miami but would not lift a finger to help me and instead sent out the rat pack of mafia which is still trying to enslave and poison and torture me to death--but I think of Morrison as having more clout because this Nazi-Jewish Aunt--not related to me--was so firmly against all the Jim Morrison was and thus, he probably was authentic enough to warrant the "fear" my fake, sell-out distant family had of anyone questioning the Nazi 4th Reich grip--and thus Jim Morrison was probably "killed" in a covert drug attack while Waters, who supposedly "exposed" the Nazi regime is now in a position of media power, and after I posted clips of The Wall many years ago I began to get Waters videos on YouTube and he began his lecture tour of America--not of England so I see but of America-=-the target destination of Europigape Nazis in order to infiltrate and bring down this country and take control, all with huge warm smiles, pretenses of being "liberal" and befriending the greedy celebrities and politicians who only yearn to be "classy" a la Europigape fascist fashion in Paris, London and Berlin.