"Understanding Cycles of Abuse". Joanna Kujath. November 16, 2017.
"Berlin Alexanderplatz (1980)--Misanthropic Humanism/Style is Substance". June 6, 2020.
I had watched part of the most extraordinary Rainer Werner Fassbinder's Saga, Berlin Alexanderplatz twice and could not get through it. The subject matter is, like so much of Fassbinder's work, on a sub-interior level of violence that characterizes so much of his genius in his films, from beginning to end this substrata of dark swirling violence erupts in the film in slow stages but always accompanies extreme societal commentary in the form or guise of slight movements and language that is intended to appear almost normalized and normative.
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I chose that example because the protagonist murderer in the film, Franz Bieberkopf, (sp?)--by the way, the ending of the last name, "kopf" translates to head in German. There is Berlinale slang I have no knowledge of, but Fieber in German means fever. But a beaver is Bieber in German--I had thought that immediately but had to look it up. Not sure what Beaver entails as symbol in German, but in English as people may know, it used to mean the female genitalia in slang terms and it was used extensively in the 70's and 80's by porno-influenced males (like my brothers who used it and it was also used in media or suggested and/or in pornography).
With Rainer Werner Fassbinder, if there is any hint of suggestive symbolism you can bet he used all symbols with the exact intent for sybmolic interpretation.
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But to continue: in the film, Bieberkopf is "in love" with a woman who has been compromised (as many, or all of the women in many of his films are, in one sense or another even if they are not openly raped or denigrated they are somehow sunk in a domesticated light and demeaned by outside forces pulling them down).
The Franz Bieberkopf character plays a kind of emotional tug-of-war in domestic violence terms, very typical of DV tactics and the entwining of the ensnaring into various traps for psychological abuse leading to overt violence. As with this very experienced pair of mafia actors out of Brooklyn, they play a similar game. To them I am on the level of compromised sex trafficking victim with absolutely no rights. I have no doubt they are extremely familiar with women being put into such positions, if not in Whorewood then in their real life dramas embedded into most dirty and foul NYC culture where this is probably a daily experience for many in that "everything goes all night" city. I have not been exposed to it, and from my perspective, I am gold and not a prostituted victim or slave and they are the whores who are filthy, dirty and the subhuman crap that they are trying to place on me by force of re-inforced racist cliches that haunt Jews and all the other races not included in Barbie Universal, inc., GmbH and Ltd and everywhere else on the planet.
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They play very concerned, like they are interested in me, and then suddenly turn viciously. It's a psy-ops strategy but with this tech, the drugging, the isolation, the no defense, support system or protection from the world at large for me, I am alone in this room endlessly detoxifying (meaning shitting out or trying to shit out hardened poison and now it's on the 11th year--in June it will be 11 years of being stuck in a semi-paralyzed physical state while this poison rips out of my body--never ending as one hateful parasite celebrity whoremongering bigot teleports and rapes and tortures me after the next--with their women the Nazi women and all their entourages of minorities participating on with full delight because they truly want their men to displace their aggressions onto other women and then revere them while their hate can be displaced onto others. This system fulfils the needs of such disgutsing whores and parasites and it's a truly misappropriated technology used for the worst darkest needs of human beings--and will continue to be misused for these nefarious purposes in the future upon untold numbers of other people (it's already happening but I don' t know how far these technologies have progressed into mainstream civilian hands and paws and snouts and parasite sucking apparatuses that are used to suck the life out of others).
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Like this character which Fassbinder portrayed as ending up in a semi-conscious psychotic state, hallucinations and all after the 2nd murder of a "beloved" prostitute who he adored adn then beat the S-out of until finally clobbering them to death--beating to death by hand, two women in a row but after back-and-forth loving and adoration Honeymoon phase and then violence in the "Circle of Violence of Domestic Violence".
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I will end this here, because I have much to do and have been too sick all day to get much of anything done. It's getting late and I have tried to explain a bit of how they operate.
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I am nearing the completion but still have a long way to go on this detox situation. This group is now increasing the threats and violence because they expect me to crumble and go into a domestic violence situation with one of them so they all can be handed endless monopolies on the entertainment field for having (mis)used this technology for these very ugly mind control forays into exploitation and displacing aggression onto innocents who can't defend themselves.
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I just watched the "artsy" synopsis and evaluation" in the video above, not having watched it previously but there were no short clips on the film available. I had forgotten that it was another male who had murdered the 2nd woman, but that Bieberkopf had "almost" murdered her. This is an extremely long series of 1+ hours of film per episode and I got lost and abandoned watching it all (skipped around to the end, and the subject was too hard for me to bear--I now understand why, I was avoiding my own victimization that I had never actually chosen but have been forced into through this contract. My "crime" according to these pig apes who attack me using this system is that I am not willingly playing the victim role and loving the rotten ugly men for it and obeying and allowing this to go on indefinitely to my death--which is what they want the targets to do, just obey and say yes to every murderous impulse some low-life but otherwise wealthy scumbag may have because in his bag of tricks he needs to kill and rape and destroy and commit these crimes upon the defenseless and nameless--this organization has almost entirely wiped me out of existence in normal society, thus making every sex trafficking type of crime permissible in their perspective).
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The other point I can make is that when one man commits such types of domestic crime upon a woman who even is a prostitute by trade, then emulating the violence and increasing it is almost an unspoken ritual. They see that this type of violence is being permitted by society (notice how the older woman watches the near murder from a doorway and just holds her fist to her mouth in the act of being violently silenced--as I wrote above, all is symbolic and meaningful in a Fassbinder film, even the fist placed inside the mouth of the otherwise sympathetic older female onlooker who does nothing--but the implication is that through unspoken violence she will also be knocked out or murdered if she so much as utters a word in public about this type of violence. It has almost always been silenced and unspoken but allowed to women who have been put on a disgraced level of society. As an unwilling and non-consensual microchip implanted MK ULTRA victim of this system, regardless of how much I have studied, done work, and have done great things--it is all discredited by the filthy pig apes who assault me, particularly in this most notable and unethical celebrity and politico set of expletives whose only and sole identification of people worthy to adhere the law to are those who are not subject to this kind of exploitation--ie. the wealthy are untouchable and they can rape and beat anyone they want who is considered expendable--and in this system, they have forced me into this role through their drugging, poisoning and physical violence which has left me nearly paralyzed and stuck in poverty--thus expendable.
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When one man who may care for an instant about human dignity sees what the others are doing to me, like in this film by Fassbinder, within one or two days, he jumps in enthusiastically and of course he has already been handed a huge fat deal to pump up his ego and finances and career. There is nothing that overrides considerations of humanity more than first seeing that victimization is allowed, permissible and then with huge bonuses as this group pays out and doles out to all who participate--the result is near murder upon after first having done at least something to defend me. I have seen this so repeatedly happen. And in the film, this is brought to attention and I had forgotten it because I did not understand human nature at this level of it's dregs but now I know--unfortunately I had to experience it first-hand in order to understand it.
Also unfortunately, one can see what Fassbinder had already understood and incorporated into his films, but unless you truly have an understanding of this, it will wash out with the analysis--just as this dude making the analysis in the clip has forgone the reality experience that is normally silenced about complicity to crime and how groups enjoin people into violence because it's been deemed acceptable and even praiseworthy with bonuses for having participated.
It is the version of the reality of human behavior that "nice society" would like to bury. This is why Fassbinder is such a controversial figure in German film (in the 1990's when I lived in "cultural" Stuttgart, all the Germans I spoke with all said the exact same sentence regarding Fassbinder and his movies: "Oh, he's crazy and his movies are stupid and insane". Now he's "considered one of the greatest German filmmakers" and people exclaim that same sentiment, like the robots they all were when they all said the same thing that they were told to say in the 90's, now that he's long dead.
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