There is a very powerful, very descriptive scene in A Tale of Two Cities in which a peasant woman ("handsome" as described by the witness taking account of the drugging and rape and murder of this woman and her entire family as well for defending her).
The aristocrat claims that this is his right and privilege in "the system" and he and his ilk are "proud" of this "system". Those are almost the exact words that greasy filthy Graham the shit traitor to America, the KKK bigot grease bag, hissed in hate at me while he was first introducing himself in teleportation by screaming about killing me as part of his "right" for his group and the "system" which he and his kin folk are proud of.
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And this is the very same system that the French fucks are cheering and applauding filth depp the scum greasebag and his filthy dirty spawn in Cannes for---
the only glitch was Heard, who used my writings to further inflame their tenuous relationship of S&M wanderlust for advancement and bisexual exploits and usury and displays of fascist "aristocrat" behavior for their endless upward mobility in the spotlight.
No women who yelled and walked out of Cannes when the "Jew" Polanski was awarded with some Palm award for his movie which was filmed spectacularly in quality--
women walked out, yelled that he was a pedo and a womanizer rapist abuser. Not so with the Depp pig scum ape group who were "exonerated" in a mind control jury farce for viewing by the goof-ball white boy network who need to see their rapist hero exonerated with Elon Musk behind it all, training Heard in how to appear crazy so depp could proceed--because Trump is in the train as well, and so are many of the pig apes from Whorewood as they are an absolute cartel and interconnected from Oprah down to JayZ and his gyrating partner to the rest of the white boys and girls but aged and decrepit at the same time. This has worn off on me as I now see absolute signs of deterioration now from non-stop torture and poisoning
but I digress: would DeSantis ban this book because there is a "woke" element of someone fighting against an implacable system (Royalty and the court "elite") that considers it their privilege to rape and murder peasants (now the homeless in America, the disenfranchised and people made disenfranchised by endless social service cuts in funding in what was just the Debt Ceiling and the threat of killing masses of people in the future by more cuts to health care and safety net structures---leaving more either compliant and servicing the plantation of enslavement for a bit of a few crumbs to not be homeless and bereft and then slowly killed off as the endless surge in homelessness now demonstrates as the underbelly of the true "system" that America has now fully become and embraces.--
Would it be too "woke" that a professional doctor, in the case of this book, which Dickens wrote is based on eye-witness accounts and testimony from people who were living in Paris and England during the French Revolution and saw and performed these very deeds and acts and saw and witnessed all that Dickens wrote about--he describes this in the forward to his book.
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...and by the way, after the "woke" revolution, the bloody revolution of France, the "woke" crowds then turned with deadly blood lust upon the "whistleblower" who is one of the main protagonists of the novel--the doctor who tried to alert the legal system of the rape and murder by a land-owner aristocrat against his workers in the fields--it was a rape, torture, drugging and spree murder incident.
I have also read accounts of French sadism and murder which I cannot remember who wrote it, perhaps the Marquis de Sade, but it accounts for a group of French males (presumably white, mostly) who got on a drunken rampage and went out into the misty cold winter night in France outside of their chateau, and found isolated travelers, perhaps they were in a group or the group of "entitled" took one aside, but they stuck knives into non-deadly areas of the victim's body and then literally RAPED the knife wounds that they had stabbed, so while the victim did not bleed to death they treated the knives that they stuck into the victim as sex portals and they gang raped the victim in the knife wounds they had inserted. This was supposed to be a picture of the type of sadistic entitlement that eventually lead to the French Revolution. (Marquis de Sade actually was involved with the revolution, and supposedly he helped storm the Bastille on July 14).
But the "woke" marauding groups of revolutionaries turned against this doctor who had been the "whistleblower" in the novel--(also never featured in the movies, not a single movie has shown this) and they turned against him--but I have forgotten the pretext--the reason was something similar to claiming that he used the wrong "woke" term and it's very similar to the backlash that I receive when I call minorities attacking me various labels that Malcolm X used in describing traitors to a political movement who side with the exploiter against other victims whom they would kill if only to prove that they are of an entitled "class" like their white aristocrat "superiors' (as one of them called the pig apes who are inferior to most living life on this planet much less me--who they steal ideas from because they are inferior).
BUT...you will NEVER see this movie coming out of Whorewood, not once. Not in the original form that it was conceived in, to examine the hypocrisy and double-standards and the deceptions and the lies of revolutionaries and the "woke" culture. In the end, the original group of fascists re-emerges as it has done in Whorewood, and all is the same system as it was before the "woke" "revolution" but just with a few players replaced by even more vicious people loving the "system". They then all march in solidarity when they have a holiday celebrating their "woke" revolution and continue the farcical display of how "woke" they were and still are for their celluloid, now plastic -surgery performance feats of mind programing to the masses who eat it up like something the Marquis de Sade would delight in as a delectable foul thing to ingest with glee (you must read some of his writings in order to understand the magnitude of filth--but you can see something similar in John Water's movie Pink Flamingos--or any other movie where Divine the drag queen consumes feces literally for her performance and claims she would "die for art". But in the case of my predicament, they will kill for art and everything else. But none of you can care about this. I have known people who also never cared, even when they were being killed they just floated along with the program and "system".
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