*Nota Bene: once more I must insist that my brain is affected by the remote tech/interface or whatever is being done to my brain by this terrorist group , making me dizzy , nearly nauseous and unable to think. The keyboard is highly blocked. I suspect that as always happens, after I post this or while in the middle of writing the hacker terrorists are going to delete or rewrite segments. I am so dizzy by now from the brain attacks that it's almost impossible to think any longer. Typing is so difficult and altogether I have been severely stifled once more by this silencing terrorist operation operating under orders by the violent woman-hating crews trying to suck out my ideas while destroying my body, home and finances. Society keeps applauding all of them on and on, both women and men participating in this. Films like Bergman's help to reinforce all the hate and violence against women. The men who are now leaders in the film industry all hail back to promoters of violence against women (in his case, psychological violence which leads to slow, internal death for the women and release for the men). All are hailed on and on and these female characters who are raped, abused and suffocated in stifling repression are all sacrificed by Bergman and this has been a continuous theme in movies and still is. These men continue to congratulate one another--a very homoerotic form of male bonding for sure and all supported by the women who "love" them because they really have very little other choice if they want to have any involvement in any sort of "career" outside of what they are trying to force upon me: children, abuse and violence and slow murder.
Ingmar Bergman, considered one of the great woman-hating, death promoting, violence, incest, murder and slow death producers of dreary hate movies described by other woman-hating men in the film industry as "one of the greatest filmmakers ever. The rapist culture men always congratulate one another on their brainwashing success in promoting violence against women. The industry keeps propping it all up with awards and first rate reviews and the endless monopoly of that system and in that film industry.
"They blame their unhappiness on their mothers" (from clip below, review of Bergman's films)
Bergman film Through a Glass Darkly: a sexually repressed woman with a blank and void husband and some confused children, living in isolation--goes "crazy" and is pacified with drugs by her "loving" husband who can only sit in silence demanding subservience from his estranged wife. She commits incest with her son and then is carted away for life to be institutionalized. The son and father reconcile with the notion that when the woman whom they have oppressed/suppressed and then destroyed and discarded has been sacrificed, the men can love one another through the third element, the violated, pierced and penetrated woman (penetrated with drugs, resembling the symbolic "spider" that she "dreams" about, which becomes the venom of the syringe drug silencing cocktail her "loving" husband penetrates her with, in all his emasculation due to his lack of love=woman hating.
There is another Berman film with Liv Ulman in starring role, who plays a wife married to a romantic man who cannot love ultimately. In every film Bergman contains a female character that aspires to some ideal and can never attain it.
Oh, the credits, the love for men who make such films. The womanhating is so embedded into the content that violence for women becomes normalized and is labeled (by men and their brainwashed women) as "highest artistic quality) meriting, of course, front place in the standards of that particular (celluloid) genre=pornography more deeply ingrained into the consciousness of a culture.
Other films include nearly sanctified spoiled girls who are raped and murdered by thieves and jealous subordinates. Met with revenge by the father. Sadism and murder and death are the main themes, with rape and near pedo affection for the cherished daughter. Considered another great by Bergman. I cannot remember the title but I do remember the black/white scenes. A totally forgettable film but considered "great" by the rapist sexist film industry.
The 7th Seal: a movie about The Great Plague, along with the foibles of a theatrical crew akin to circus theatrical performers. It was a dreary movie about death and lack of love and fidelity and I can't remember anything else except that it was considered "great" so I watched it. The main theme was death, loss and yearning for the unattainable.
I really have forgotten about Bergman until just now when one of the members of the H-wood team included a reference on my YouTube channel to his movies and the complimentary partnership he had with Bergman. EAch complimenting one another for their woman-hating movies which have been labeled as some of the greatest in the industry of mafia/Nazi controlled sexist rape culture Whorewood. yeah but not really just a goon squad publishing these accolades for decades and never allowing any other type of material into their enclosed cartel of the industry--
so, no...it's not great it's sexist fodder aimed at psychologically reinforcing rape and sexist stereotypes alongside utterly endless themes of death, aggression, violence and murder. Repeated endlessly and always handed highest ovations for these death and murder programming sprees into the subconsciousness of the viewers until they can no longer differentiate between fantasy and reality and can't stop applauding death and violence. It's all spilling over into the public arena now as the thirst for death and violence that appears in movies is being uttered and repeated BY POLITICIANS AND THEIR PUNDITS who have made movies in H-wood or watch them like it's religious text and command for power.
Oh how the male critics and fellow good old boy filmmakers LOVE the Bergman classics of women alienated, disrupted, torn, bleeding silently from within until a tempestuous eruption causes havoc, considered an emotional breakdown and loss of dignity by viewers who are trained to understand that women must be strong and not female and loving, kind and compassionate and neither should men. That women must adhere to these strict standards of repression which is impossible and inhumane is never considered by these male critics and fellow good ole boy filmmakers who themselves create endless movies about violence against women, which are then awarded and championed by their fellow male filmmakers and critics. The women cheer it on because to do otherwise would mean excommunication from the pulpit of the stage that they must bend over with cold, frozen love and frozen smiles in obedience to.
I can't find a single female critic making a commentary about Bergman on YouTube. Every critical acclaim has Mozart's music embedded into the background. Mozart was a genius, and they must necessarily include a cover for the bleak empty landscapes of delusion, disillusionment and hate for women that I have found underlying every Bergman film that I could get through. The discordant elemental rivalry of women towards one another, portrayed in silent internalized illness leading to slow death by internal asphyxiation is more than a slow death of my brain cells to try to wade through the emotional largesse of these male-labeled Bergman "Classics".
So dreary and lacking any kind of perspective outside of a most hateful duality of one-sided monopoly I just have to say: if you want to credit a filmmaker of that time era who could actually portray violence against women in a much less hostile and woman-hating way, then please watch FELLINI FILMS! That man produced classics and BECAUSE they were sympathetic to women they are more ignored by these male film dominators while the more dreary life-deadening Bergman, who probably himself committed violence against women and felt great about doing so--is left as being "one of film's greatest directors". The real great directors of that time (and this time) are silenced (now moreso then ever before).
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The world needs a new start with anti-sexist and anti-rape culture people having access to making films that do not treat women like pornographic objects of violence--just for a start. The endless motifs of death and gangstar violence also needs to be uplifted to bring humanity out of this hate and death zone that has swept in a craze over the USA (and the world).
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