German lyrics embedded as subtitles included in the video.
"Mozart--Queen of the Night (Diana Damrau)". madprofessor. December 24, 2017.
I have to admit that 18th Century German out of Vienna is nothing similar to 21st century Schwabish, which is the Germanic dialect I learned. I have to look up these meanings for many of the words which I have never heard before in Schwabenland.
It is the same for English in the US where 18th Century language far exceeds in vocabulary and intensity the modernized limitation (=dumbing down) of intricate usage of the language. It has been inculcated in school and university, to pare down sentence fluidity to get only a semblance of the grandiose use of the language into little tiny sentences that numb and kind of dumb down the fluid outliers of meaning.
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But--Rache ist rache--I think I need to watch this Opera today as I feel that mood for something that captures an emotion that appears to be lame nowadays in terms of male privilege--of course, the woman fighting against the male Lodges and Freemasonry is eventually cast as the villain and liar---the "good" female is given a test--in this opera--to remain "silent" (meaning obedient to the male) and thus even when she contemplates suicide because her intended shuns her out of the rites of the Lodge for male supremacy---he is silent towards her, negating her as a "test" of her submission---and keeps to the traditions of this fabricated male domination "nature" identify, constructed and engineered by the masons and male lodges everywhere--a plight I find myself embroiled in with this technology and systematic death squad system to quell my freedom and enforce Nazi white supremacy while representing themselves as being heroic saviors with almost supernatural abilities bestowed by their "god of light", a phrase so endlessly repeated in H-wood movies, including the "God of Fire"--stemming from the Illuminati symbolism and system.
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The path to "true love" according to the male-only Freemason Lodges is only a fine division between death and submission to the male dominance structure and only then, according to the protocols of a strict set of rules favoring of course kidnapping, rape and even suicide and death, eventually "love" blossoms. The formula for every union according to the rape Nazi alliance mafia criminal entity operation. The women of this organization especially love watching this kind of hate system forced upon me by one rapist after the next---(they become elevated in the hierarchical structure for participating. They are then put into political position to meet out favoritism for those unfortunates who comply or not. They spout the usual bs con job fodder about Freedom, Love and Godlike spiritual hegemony over all, the universe bestowing them with spiritual power akin to godhead status...(blah blah).
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I face a systematic protocol system of murder or submission to what I perceive to be anything similar to Godlike human beings. The mere fact that due to their endless conformity to the system which put them into "power" positions, they lack the creative insight to view the world in an original manner. They torture me, literally, to obtain ideas about victimization and then they steal every and all to mimik the concept but sell it as being traits they personally are selling as a consumer product, and also to appear to be original (and other reasons of course but I'm limiting my analysis to two concepts because hacking is abominable as usual. I saw that entire paragraphs had been deleted so I had to rewrite and repaste from my blog to this post--and then they deleted more once I shifted screens, and it goes on. This is going to be partially deleted and rewritten once I click on the "save" tab--). they can't stand to have me writing with alacrity and style that threatens their claim to superiority--they monitor and delete and discredit me at every turn. They torture me without end and have one scumbag after the next rape and torture me. This is a kind of protocol that The Magic Flute put into question. Accordingly, although the libretto stuck to the standard motiff of a strong woman, vociferous and aiming for revenge upon the rapists and kidnappers---was turned into a black magick villain with spiritual powers far inferior to the white male-only Illuminati/Freemasonry structure, claiming absolute divinity in their every proceeding, the light and the purity of their "wisdom" they all inflict upon others in torturous, suicidal missions to exact subordination. Conspiracy theories of Mozart being killed after having composed and performed this opera abound. It puts into question, if only through a visual representation following the ordained scripts, this system. I am forced into this death trap, the US Government absolutely complies with it's every murderous and hate protocol. The rest of society either recedes into silence or viciously complies.
"Pamina's Suicide Scene--The Magic Flute--Susan Nelson--Soprano". March 18, 2012.
However, some males are not exempt from the tragic love forlorn suicide club, for if a male is of a lower class and of working class status, and thus ignoble, not capable of higher understanding (because the "club" of Freemasonry was intended for an elite superiority status, members only)--
they too face the arduous trials of the Maons if they want to find true spiritual "love" even if only on a plebian level of existence (supposedly the only things they are capable of are eating, drinking and sex).
"Papageno Suicide Aria (The Magic Flute)--Mozart". Johnathan Estabrooks. June 5, 2009.
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