Plz GAwd: get me out of that stale H-wood media rut and into the Groove! A reminiscence of those good ole art school dayz at SUNY Purchase and the usual chagrin at the grinning celebrities after yet another year of torturing me to obtain their coveted "awards". I praise those who have "won" nominations for their talents and not for their participation in illicit, illegal and criminal actions as part of this Mafia Nazi clique that keeps retaining it's grip over the main lead role circuit and awards circuit via this mafia/nazi hate contract out upon moi. I would like to see actual real competition and competency but if that is blocked and this monopoly must be endured as the symbolic representation of the "best" that the United States film Academy can offer, why can't people like me who want different ideas, different themes, different actors not have free access online to some of the hidden extraordinary talents that are invisible which are blocked somehow.

"Lady Gaga To Beyoncé: 2022 Oscar Nominations Snubs And Surprises". Newsweek. February 9, 2022.

***PS--I have not watched the above video. Is there anything to see, to watch or learn about? Not for moi. Blah blah blah goes the video about blah blah blah boring movie fodder K-rap. (Nazi mafia themes projected by Nazi Mafia controllers of mind programming machine, conglomerate, international.)

A minimum of 50% of those celebrities and perhaps their directors and pop singers--all interconnected like an incestuous band of snakes-- listed in this Newsweek article below--as potential award-recipients for this "highest" acting and film awards season have been or and still are involved in terrorist teleportation torture towards me (endlessly). Some have gone on and on for years. What I find amazing is that in at least one of the movie nominations the acting is a complete abomination of bad acting (obviously in only my opinion). The (using the generic term) actor involved was bolstered by supporting actors throughout the film, which began on a greasy sleazy shot angle of the hips/genital areas and slapping and yelling in what could be called a domestic violence interlude with the female being the aggressor. It was an expensively made film, and I think that was the point. The actor in question is a complete creepy expletive as well. It's not a good qualifier for being promoted to this height in the acting genre. I truly want to be able to access easily and for free alternative film, actors and directors instead of the same fascist Nazi fake liberal coterie of terrorists.

The ratio of people who are terrorists involved in teleporting me to non-participants is more lie a 60-40 ratio than the 50% I mentioned above. This includes pop singers and also directors and et al.

I praise those who have "won" nominations for their talents and not for their participation in illicit, illegal and criminal actions as part of this Mafia Nazi clique that keeps retaining it's grip over the main lead role circuit and awards circuit.

I would like to see actual real competition and competency but if that is blocked and this monopoly must be endured as the symbolic representation of the "best" that the United States film Academy can offer, why can't people like me who want different ideas, different themes, different actors not have free access online to some of the hidden extraordinary talents that are invisible which are blocked somehow. Just as what I write is made invisible to those looking for ideas and information on such themes as surveillance and State-sponsored torture--or just for my chance to write creative fiction, as these same people and their controllers (out of England mostly it appears) are literally stealing verbatim my writings and ideas (and then screwing me over and over for years and years, claiming they are an "entitled class" and my objections are so absolutely mute and ridiculous and criminal in fact, and in fact according to them reason for attempted murder against me if I so much as make a joke after trying to get one of them after the next off me as they cling on to get more and more free deals such as these promotions that keep pouring out and going on).

How I would like to at least have free access to real innovative films, from say film schools where creative ideas are rampant. But I truly cannot access anything but this mainstream stuff and I scoff at how only these same people of this clique are only entitled to "winning" year after year. The films really aren't very good at all, just produced with millions of dollars and high tech.

I have actually attended a New York State University system version of an art school and was familiar with independent film. There were weekend films of underground and alternative directors and actors. How I am just stuck in a miasma of this band of treacherous attackers out of that H-wood back lot torture horror shop infliction and then can't find or get access to anything online which has any kind of real interesting alternative. I can't afford to purchase any independent film subscription and even when I peruse the independent sites the films only look like the rejects for what mainstream didn't want.

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A minimum of 50% of those celebrities and perhaps their directors and pop singers--all interconnected like an incestuous band of snakes-- listed in this Newsweek article below--as potential award-recipients for this "highest" acting and film awards season have been or and still are involved in terrorist teleportation torture towards me (endlessly). Some have gone on and on for years. What I find amazing is that in at least one of the movie nominations the acting is a complete abomination of bad acting (obviously in only my opinion). The (using the generic term) actor involved was bolstered by supporting actors throughout the film, which began on a greasy sleazy shot angle of the hips/genital areas and slapping and yelling in what could be called a domestic violence interlude with the female being the aggressor. It was an expensively made film, and I think that was the point. The actor in question is a complete creepy expletive as well. It's not a good qualifier for being promoted to this height in the acting genre. I truly want to be able to access easily and for free alternative film, actors and directors instead of the same fascist Nazi fake liberal coterie of terrorists.

The ratio of people who are terrorists involved in teleporting me to non-participants is more lie a 60-40 ratio than the 50% I mentioned above. This includes pop singers and also directors and et al.

I praise those who have "won" nominations for their talents and not for their participation in illicit, illegal and criminal actions as part of this Mafia Nazi clique that keeps retaining it's grip over the main lead role circuit and awards circuit.

I would like to see actual real competition and competency but if that is blocked and this monopoly must be endured as the symbolic representation of the "best" that the United States film Academy can offer, why can't people like me who want different ideas, different themes, different actors not have free access online to some of the hidden extraordinary talents that are invisible which are blocked somehow. Just as what I write is made invisible to those looking for ideas and information on such themes as surveillance and State-sponsored torture--or just for my chance to write creative fiction, as these same people and their controllers (out of England mostly it appears) are literally stealing verbatim my writings and ideas (and then screwing me over and over for years and years, claiming they are an "entitled class" and my objections are so absolutely mute and ridiculous and criminal in fact, and in fact according to them reason for attempted murder against me if I so much as make a joke after trying to get one of them after the next off me as they cling on to get more and more free deals such as these promotions that keep pouring out and going on).

How I would like to at least have free access to real innovative films, from say film schools where creative ideas are rampant. But I truly cannot access anything but this mainstream stuff and I scoff at how only these same people of this clique are only entitled to "winning" year after year. The films really aren't very good at all, just produced with millions of dollars and high tech.

I have actually attended a New York State University system version of an art school *SUNY @ PURCHASE--and was and have been made familiar with independent film. Dynamic not static forms and formulas. There were weekend films of underground and alternative directors and actors. How I am just stuck in a miasma of this band of treacherous attackers out of that H-wood back lot torture horror shop infliction and then can't find or get access to anything online which has any kind of real interesting alternative. I can't afford to purchase any independent film subscription and even when I peruse the independent sites the films only look like the rejects for what mainstream didn't want.

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Some of the directors and films that were shown at SUNY @ Purchase---where I was only able to study for one completely awe-inspiring year at this college--but was really a Minnesota State resident and my parents balked at paying probably 10x the tuition as for Minnesota State University systems --so I had to return back (but got Edumucated at Prince University @ First Avenue--a liberal arts education you can't pay for or buy at any college not even at funky Purchase--which was conservative in comparison with the stuff that First Avenue put out--including films by Lydia Lunch prior to concerts and etc al-international bands, artists from all over the Twin Cities in fashion attire at this incredible club with all kinds of art and ideas and explorations and interpolations of life and it's wonderful explorations without fear or hate--Prince Style--classy all the way. Better than any college experience but while I was in college also studying alternative subjects because of the Feminist blast from Andrea Dworkin fighting to make pornography illegal on the University Campuses and around the Twin Cities. Oh it was a time in Minneapolis that no university could ever preach or teach as well and to such a wide-ranging free and fun audience (the feminism was not as much "fun" but was centered around harsh truth).KENNETH ANGER--Scorpio Rising and other such films were shown in the auditorium as we went out afterwards to the punk-theme dance in the auditorium--(it was the Punk era--and oh yes, was told that Basquiat hung at the SUNY Purchase campus and that form of art was in vogue while I was in the school--and thus the H-wood scene to me is both archaic and out-dated and remains like a relic of Reagan Youth now in it's decline still performing lead roles !!!~~with the same directors and producers as well. They claim they are "liberal" now. It's such a drag. I really want to have access to what I consider to be great art and not something that feels like a huge stale fart in "art".

Scorpio Rising 1964--KENNETH ANGER (and his many splendorous films, multi-colored fantastic 

origamis of light and sound and movement and fantasy and delight and despair).

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Slava Tsukerman---film professor at SUNY @PURCHASE while I attended. Director of LIQUID SKY. Beautiful and creepy but wonderfully so. It feels like time and art have regressed into a block formation of sterility when I look at these H-wood films in comparison.

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I attended SUNY @ PURCHASE 10 years after this NY Times article was published--ten years later it was more well-funded but less alternative but still wild and off-beat. 

I was of course stalked by what seems to have been the entire floor of my dorm--was that intentionally created by the planners of which wing of the dorms I was to be put in?

But I still was opened to vast new experiences but alas surrounded and drugged perpetually so I didn't get to experience people I may have really been absolutely turned on by and not turned off by (on my personal journey through that academy).

Nevertheless as to the talents of the terrorists there have been very few who reached even that level (apparently I have had no real conversations with the famous actors in the many YEARS they have teleported and terrorized me so I only see something like one or two dimensional "just following orders" abusers when I am teleported to what is now endlessly being awarded year-after-year as being "the best". I know that there are better and it's a pity and shame for the United States that such alternative artists are always being excluded and now ideas can so easily be stolen, as they have been from me by members of this group for so long with no recognition, not a thank you, only torture, mutilation and rape and violence without end. The insurrection of January 6, 2020 reaches many other levels of society than just the distributed videos of ransacking thugs breaking into the Capital Building. The tentacles of power gripping each and every single strand of power was put as the anchor for the outward extremity of the eruption of violence on that day, which remains as a kind of anomaly to some in America and not as a RESULT of various types of fascist overtake of many other areas of society.

A funky 70's NY Times article about the fledgling new arts school of Purchase, which I attended 10 years later after it had been more fully funded and was thus a more superficial "alternative" scene (Basqiat had hung out, for free of course, and was gone a few years prior to my one year at that school living in the dorms--and he only hung at the student apartments and not the dorky dorms).

It was the student films from SUNY Purchase that were most intriguing to me and of course I have no access to any independent student film (for free) online, or I would not be wasting my time with the H-wood stuff which is so awful and violent and boring. The comedies are extremely racist in the H-wood films, usually (90% or more of the time) depicting blonde (Nazi, in my opinion) women or of the Nazi appearance "falling in love" and only they have a light and fun time in life according to film (and the Nazi Mafia really want to ensure that this happens in real life, making misery as much as they can for any targeted person or group so only THEY can be depicted in all things as having the best and having the most fun). I lived my life with the objective to have as much fun and also to work and play as well as possible--the best in life--and have been poisoned, tortured and mutilated as a result because I was succeeding in this endeavor and in other areas as well and that can't be tolerated by the constrictors. This entire philosophy unravels all other dimensions of any other competing paradigm both in film and also in real life, if the mafia Nazis can get away with it (and they are with these technologies and the implicit and tacit approval of all government officials even those of the "under privileged" classes who are privileged by the time they play the game and perform the square dance for the boxed in realities that are continuously cranked out to the public with very little alternative realities or constructions of art to rely upon unless you are lucky enough to live in a place which is now very watered down in that respect--i.e. Greenwich Village--all has already been usurped and taken over, the alternative scene. My music station out of NY University has been partially sponsored by one of the mafia "Italian-American" directors who has been a part of this terror contract out on me, and the radio station has declined in the extent of it's alternative DJ's into mainstream and horrible programming to the point that I almost always cannot listen to any of the recent years (since 2016) and the music is becoming like horrid versions of wanna be capitalizing on alternative culture horrible musical K-rap. It's the same with the culture. But luckily I was able to experience the last remaining dregs of the alternative but it really had been bought out and compromised and turned into fake altruism, which is similar to H-wood.