FIRST and foremost: Itzhak Perlman plays Paganini--the theme of this post. (this post is very skewed in angry terms due to the technology blasting my brain into various negative emotional states. I always remember words and phrases that were blocked from my brain while writing-only to "remember" them after I get off fighting to pound on this hacked keyboard and now mouse).
Paganini - Caprices 4 & 13 (Itzhak Perlman / Violin)
As for the perpetrator, yet another "black" anti-semite who so glibly pours out racist hate upon me when "no one is looking" except for the bigot Nazi network promoters who employ these character assassins for lead roles: Yes, that famous "African-American" dude that "everyone loves" because he's so great at portraying the angry, disdainful and snide character of assassination yelling in movie after movie as the signature mark of this endlessly repeated character typology--made famous in film after film with the same director (hint hint---whomever could that also veiled bigot Mafia Nazi type be, do you wonder? There are so many in H-wood of white skin, which one is it? Well, this white male who the Black minion backed up when he made anti-Semitic comments of genocide and death aimed at me because I was saying "NO!" to more theft of ideas and then torture and murder attempts as my payment afterwards--which had been going on for over 5 years by that time---more like 8 consecutive years). But of course the greedy and lacking in all artistic senstivity and sensibility set of dudes from that mileau of thesbian farcical output just went on without blinking performing their hate antics for the Nazis promoting them. Yes, the white male has come out with a movie (which this black male also made a kind of cameo performance only in spoken word for) but it was about a blonde Non-Jewish female fighting a real Europ-a actor playing a fictitional portrayal of a Nazi (meaning not real).
and oh
based on my years of writing about this reverse discrimination tactic used for promotional purposes by nearly EVERY FAMOUS BLACK PERSONA IN H-WOOD FOR A NUMBER OF YEARS--some of them the loudest in shouting and singing and blathering about how they are fighting against racism and are so well-paid but have attacked me with hate that is beyond mere contractual obligation--
and so the pudgy Jewish-looking male in the movie The Red Violin, with the sauntering and theiving "African-American" famous, one of the most famous of "black" men who pose as being righteous defenders of black male strength and prowess--somehow misses the mark 100% like a weakling and coward when he is faced with the threat of his white, bigot Mafia partner in crime and business glaring in expectation at him to get in line and abuse and insult me while I was teleported, asleep, vulnerable in ways no one can imagine and then attacked while fighting to heal from poisoning while this very same group of millionaires and billionaires block all my financial earning capabilities to keep me enslaved in a system of desperation so they can extract as much as possible out of me while I have no support, protection or any avenue of normalcy left to me because everyone conforms to this system and to the demands of these incompetents who in turn obey the exactitudes of their "superiors" who really are inferiors if people would just stop judging these fake icons by the merit of their financial standing and social acceptance--which is all contrived and socially-engineered and not based on worthiness or having the apex of talent of capability.
Unfortunately.
Back to this honor of the most extravagent Itzhak Perlman who was portrayed in such a negative light by the anti-Semitic filmmakers who put out this otherwise entertaining film (I also have played classical violin and had a violin made in the 1600's so this movie struck a resonant chord within my poisoned and harened body which cannot play these instruments at this time).
If I had to choose between the endless refabrication of the smug and snide character this hypocrite considerred so "hipster" actor plays in role after role and the talent and the real capacity for genius that Perlman obviously displays with the very real music of the likewise under-represented Paganini in this horrid ficticious film--so bigoted behind the beautiful lavish costumes and the music---I could go into more detail but it's always impossible for me to write more than a few paragraphs without stumbling in some way due to blocks and terrorist intervention/hacking.
Here's to Itzhak Perlman and to Jews who far overshadow your incompetent posturing--bigots of Whorewood who are so racist it's beyond the measure of belief and what a bad orchestration you all display in your horrid movies (the costumes and the people who do the costumes and make-up excluded they are excellent, as well as the CGI and all these other "bells and whistles" of filmmaking--but otherwise when it comes to representation you bunch of haters crank out the most insidious hate movies possible and are even more hateful and despicable in reality and when you can do so with technology the real incompetence just pours out. I truly suggest that most of these actors and personalities, writers, directors are heavily modifed by implants, brainwashing technology and are absolutely unconcerned about it all but they are under influence of mind control I believe this and so do many others who are even remotely aware of how such operations are conducted. As they are prominant in one of the most blatent mind control operations on the planet: Hollywood, it is clear they are not being "left to their own devices" when it comes to their output and what they truly represent.
SO HERE'S TO REAL TALENT AND GENIUS AND SOME KIND OF HONORING OF THE DISGRACED ITZHAK PERLMAN IN THAT K-RAP MOVIE THE RED VIOLIN (and also an ode to Paganini--listen to this beautiful music and then compare it and the portrayal of Perlman in that awful mind-f movie with the black nazi bigot playing the "hipster" righteous dude fighting so "black people" can have a shot at being part of the Europ-a tradition of racism, genocide, imperialism and colonization.
The film really made Paganini out to be demonically-possessed (or Satanically, if you will). From the tiny bit I have heard about Paganini this may not be a far-flung assumption but nevertheless--these inaccuracies are offensive to people who are not estranged to classical music, violin, or Jewish artists who should be held in reverence instead of being plied-upon with racist hostilities by another "minority" who, like the rest of his peers in this awful industry, are using anti-Semitism as a route to promotion by the virulent Nazi controllers who tell them what to do, which they obey and without a blink will be as racist as the most nasty bigot if they are instructed to do so, without hesitation--all denial possible and then near violent retribution if this hypocrisy is brought to attention. My experience from years of this going on, and on, and on. I can't look at this rotten black male without feeling disgust and I must get him off my screen as quickly as possible. I feel that way about most of the peeps who participate in this crime so don't take it as some personal slight because personally you are slight in comparison to a real talent and artist, like Perlman.
A true artist with rigorous training and highest quality
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