The film THAT SHOULD HAVE WON The Golden Shower Awards for Best Foreign Language Film, 2021--is THE PAINTED BIRD. That was a masterpiece of production, editing, writing (on the part of Jerzy Kosinski and the scriptwriter,) theme, acting and filmography which so far excels in every respect what actually was picked by the terrorist fascist Nazi network which controls the Foreign Press infiltrator network. One (just one out of far too many to count by now) terrorists out of H-wood who has teleported and tortured me for years, has won top awards in the H-wood awards circuit for ever year he has participated in raping, torturing, dismembering my body, deforming my body, and terrorizing and torturing me using this technology, drugging and the terrorist stalker network. This post is not only regarding this crime and the corruption of these propaganda film industries and the bribery and corruption of the awards handouts and payoffs, but also of the mind-numbing and mental blankness of the themes of the movies and the degradation of the quality of filmmaking in general.The movie is a banal treatise on a bumbling foreign family trying to live a fantasy projection of life in America. The movie, Minari, which was part of this ongoing terrorist award system utilizing this death squad activity and murder technology--all covered up by the US Government which also participates in this crime against me likewise for their promotional schemes so their incompetence can be justified by endless handouts and promises of power and money endlessly being flowed into their coffers. The result in all cases are vocalized platitudes or sentimental meaninglessness which are then exalted as if grandiose perspectives into the meaning of life and of political life. The two factions are inextricably intertwined. As to the Minari movie, it was akin to a trite tv comedy with little depth or stylistic interpretation. It was silly joke after joke making the characters rather "charming" if you have a bent to watch unextraordinary people go to the bathroom and live a mundane life but yet, somehow, putting a few jokes and a happy syrupy soundtrack into the film seemingly makes these characters important enough for a major film award. Furthermore, these seemingly innocuous and innocent, nearly childish personalities are being portrayed as somehow wonderfully funny in their silly take on life and exploration of a new land and country. This glorification of more Hallmark Card sentimentality, which I wrote of concerning the film that won top award for "best" movie (which was one of the worst movies I have tried to watch yet there are so many it's rather another drop in a bottomless bucket of bad movie cesspool). The sentimentality and the "cute" charming display of making the little kiddies appear to be cutsy and funny while the parents/father or some of them have unending optimism that they can "make it" in America, with a cheery grin and a wipe of the chin after falling down and getting back up with jokes and little pokes at life's jabs. Utter trite meaninglessness once again, portrayed as being something gloriously light and wonderful, this Asian family relocating to Arkansas. Like MAGAland the movie that won using a similar theme of a shifting erosion of stability resulting in a nomadic movie which sprawls into an endless enervation. Of course, the silly jokes are supposed to make this movie a great film instead of a kind of tv documentary about a family trying to "make it" in a new country while keeping optimistic and putting out cute and trite echoes of sentimental optimism and enjoying it all like it's a fun comedy. The banality of evil appears as a light, warm-hearted very superficial glance into the day-to-day lives of people trying to surmount some kind of drifting and potentially catastrophic lifestyle. The sentimentality of both of these "award-winning" movies in this most corrupt and bought and sold film "awards" cartel, the Golden Shower Awards, have minimalized the depth of the human experience in order to shake to the core the numbness of meaning. Terrorists utilizing EXTREMELY DEADLY AND VIOLENT TECHNOLOGIES OF BRAINWASHING AND MIND CONTROL, TORTURE, RAPE AND MURDER are being awarded for putting out these trite and Hallmark card movies put into movement and monumental meaninglessness of life and of struggle. This aspect of dulling the senses and in portraying life under the terrorist network as a light and warm journey through obstacles and potentially deadly roadblocks on the path of life are very similar. People are struggling but they can make it. People are suffering but only a shift in mindset can create a positive result in their lives instead of the greed of the filmmakers who participate in a political global terrorist network with death squads roaming the planet looking to destroy the weak so the greedy can retain absolute power and control over the planet's resources. When some of the "normal" people get killed in the process, well, their are made invisible far before they can afford to watch these movies, and as for the rest who buy into these movies, they secretly yearn for death and despair for those they can eliminate. The movies are an assuaging of the guilt for the destruction that these death networks actually do create in reality. Their cover-up is like the plastic surgery that these actors and wealthy obtain to conceal the hate marks that adorn their mouths as they grind down in hate at the people who are struggling to make it and actually have a chance to make it, and thus depriving them of their endless wealth excesses and their unbridled access to commit every crime filled with hate and violence possible with absolute exoneration.

 The utter contrast between what these real actors in their real, sordid lives when they are allowed to rape, torture, steal, try to murder, slowly kill, suppress, censor others (as in ME) is so highly awarded and protected by the entire society of the planet--while the endlessly meaningless movies exalting superfluous plots and supposedly "charming" displays of the kinds of people who are grueling and dueling in the dirt of life's struggle. Their jokes are wayward their lives are complicated one-track roads into ennui. The portrayal by these filmmakers somehow puts them on an innocent platform where these epiphanies that the scriptwriters incorporate into the mouths of the actors makes these whittled down junk-yard dogs appear like cutsy little puppies floundering on the planet searching for tidbits of joy amongst the trash they are forced to live in.

The actors, filmmakers and the Golden Shower fascist Nazis who prize such movies which completely nullify the extremely brutality and suppressed violence that the types of people portrayed ACTUALLY are charged with at the inner core of their struggle for a stronghold in the competitive fight for survival is always minimized by these likewise vicious, deadly and violent filmmakers and their very nasty actors (the ones who I have experienced in this teleportation torture crime which so many have indulged in and "won" awards for year after year, as in the movie Minari I mention in this post). I am not referring to the actors in this case although I suspect some of them may have participated in the terror "skits" that I have been thrust into night-after-night when I am teleported. And while teleported in my sleeping state, as my consciousness flies away where my secondary body is teleported to--my body is split in twain by the teleportation--I am then raped, disfigured and partially dismembered night-after-night (which I have spent years trying to block and protect my body from).

This is the mentality of the production company top executive who has also "won" acting award year-after-year and always, he is sitting amongst Europ-a fascist Nazis in their vicious hate attacks upon me.

Thus I observe the movies that have won (Nomadland and Minari) and notice this same similarity: both appeal to the gooey soft center of the hard, calcified inner crust of the deadzone of the heart of the viewers who hold great and vicious violence suppressed within their exterior fake pleasantry and sentimentality. The themes of the bleak and absolutely trite and boring, meaningless sentimental Nomadland and the trite and absolutely silly and meaningless Minari are similar, the absolute break with reality of the viciousness that underlies the characters is almost identical.

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I could go into why The Painted Bird should have won, but that is a long theme and I must fight to pound letters out and then, once reviewing what I have finally managed to get out, the usual rewriting of my words by hackers has made what I can barely get out appear completely chaotic and deprived of meaning and coherency.

It is too hard for me to get anything more out than a few paragraphs every time I attempt to write due to these factors of terrorist hacking I have mentioned above. Furthermore, it is extremely time-consuming to endlessly have to go back and rewrite what hacker terrorists delete and rewrite after I have published. The amount of time it takes to just get words out also sucks so much time out. I type extremely quickly and I have not been able to type at my real speed for more than 10 years of continuous hacking and rewriting by terrorists who operate as minions for these entertainment personalities (of the Mafia and of the cartels and of the production levels and now of the actors-turned-into endlessly award-winning production units--always, every year that they participate in terrorizing and torturing me through teleportation and terrorist networks of death squad "gang stalking" activities).

Thus, day after day and year after year only more actors jump into get their free promotions out of attacking me so they can produce and make more meaninglessly trite movies about the saccharine and light-hearted looks into the superficial Vaseline lenses of a fascist, Nazi empire of hate and death perpetrated upon the planet but turned into roaming epiphanies of those who can "make it " in the general deluge of death that these media controllers certainly play a huge role in helping to heave upon the desperate, the poor and the aspiring who struggle. 

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