OSCAR PREDICTIONS 2021. Not for the politically-incorrect who are the usual suspects reading my posts by hacking and then stealing ideas or torturing me for writing something that questions their mind control censorship totalitarian authoritarian regime:
Oscar prediction for Best Picture, 2021:
MY choice is: Two English actors and a group of others playing Americans on trial in Chicago. It probably won't win best but it's my choice because of the mixture of comic and serious themes, along with a variety of personalities represented and the well-done quality of the movie in general (cinematography and etc).
However, I doubt it will actually win the top award for Best Picture. I think the lamer choice will be something like the expected Nomadland because it's another recognition of the destitute and "forgotten" MAGALAND marginalized refabricated into meaning that has no reality. Always a favorite for propaganda brainwashing to let people know that they are not forgotten during a crisis where homelessness and wandering and wondering about the future is more endemic than the pandemic. However, that probably won't win either. The toss between the English-lead actor movie about a black and white rendition of boring movie replications from a long-gone past era of glamor and intrigue could "win", or, our favorite yearly winner in the teleportation terror circuit with his production studio probably will be the top winner as usual in a streak that is almost miraculously effected by the H-wood cartel choices awards.
Hint hint, The American Dream as lived out by comic Korean actors. Cute and cuddly, warm and fuzzy. Let's stop hating Asians. That's the propaganda pitch that probably will win out over the other themes. As for the punk movie: why did that English dude playing the American punk have to have "please kill me" and also a cockroach tattooed over his body like he's really stupid and a huge masochist also behaving like a minority minion slave to the blonde English actress also playing the American punkster who sings like a banshee from Scottland during a pre-menopausal phase of blood clotting. Oh the plot? Whatever. Won't win.
Best Actor: Not nominated but perhaps yet another English actor playing an American radical from a past era that has misappropriated by English Monarchist infiltrators into US H-wood media. A sure "winner" to be sure, surely.
Best Supporting actor: Lakeith Stanfield. Again, he probably won't win the award because he's too incredible as an actor. The award will go to most entrenched white supremacist/Illuminati/mafia/Nazi actor which would be the old man from wales who is a goat in disguise/or, The award will probably go to Kaluuya because he's an ENGLISH actor playing a radical American and that's the point, the co-opting of American rebellion by the English monopolistic monarchy.
Best dish served cold for the after party for the multi-million billion dollar event: mind meat balls served with creamy oyster sperm floatsam jetsam.
No alcohol will be served for the event because everyone is already high on power and promotions and huge millions of dollars in tips and deals and bribes and bought and sold people and categories.
Best Actress will probably go to the youngest blonde who is the most associated with English infiltrators: Seyfried. She played a lead role in the movie that the terrorist teleporting me, with his associations into English Monarchy and this connection from H-wood exploiting me. She's American but is well established into the sell-out pro-English mob fob that people think is so ultimately fab but it's just gobshite. She's probably going to win not only for her English servility and servitude as a blonde curvaceous and younger woman, thus cutting out the rest of the older ones. There is the other blonde woman who played a seductress and was funny about it, she's a contender but her connection to Royalty is just too outer zone from the epicenter of the EU established hierarchy to win top prize.
Best international film: probably will go to Denmark during this time of the last vestiges of the MAGA influence upon the mind control film industry. Denmark a most Nazi country. ANy film will do, as long as it represents the white supremacist country closest to Germany but not exactly labeled as such (to disguise the real Nazi element controlling the outer circles of the mostly English control over the English-speaking media conglomerate, Ltd (GmbH ha ha in the background pushing the envelopes and awards really).
Best Documentary: something really uplifting about a depressing situation where injustice is being fought and heroes are fighting for the under dog. Whichever one wins, the formula always used by H-wood will be a repeat offender for best doc category. The more miserable the brown or black skinned victims and under dogs are, or whatever category (women, another top contender for victim award status when it comes to righteous portrayal denoting that the film industry in general at these top levels of money are so worried about the violence that they really are endorsing behind their grind viewpoints of the carnage that they fully sponsor with their "Dark money" partners in politics and in terrorist organizations (the people attacking me out of H-wood ARE TERRORISTS ACCORDING TO THE LEGAL AND DICTIONARY DEFINITION OF THE WORD).
Best adapted Screenplay: obviously. The Englishman's script making fun of America.
Actress in a leading role: probably Andra Day and she deserves it. BLM during 2020 is another factor in handing out at least one top award to a "black" performer. Not that Ms. Day does not in any way deserve anything lesser whether BLM made a huge impact on decisions and appearances and being politically correct in H-wood. However, as I have not seen two of the other films I can't judge so I leave it as a political choice to honor BLM--but also Ms. Day was at top level. However, I can't pick between the others for the reason just stated. I also have not viewed the films above that I made mention of in entirety. Some of them were so boring I could not get through them, or I found the motifs annoying and how I interpreted the symbolism made viewing the movies unpalatable after a certain point. None of the movies above caught my attention to the point that I was transfixed and animated with delight or any strong emotion except for mundane boredom at the annoying stage of discontent. If you want a more comprehensive review, go to pages where people are being paid to present their opinions and must sound like they are respectful of that stuff being presented who are not also thrust into the pit of the actor's unguilded guile as I have been for years.
What else? More categories (I swear, this post is surely the MOST FUN I have ever had in connection to any of these awards shows or moments in history--I spent most of my life not even knowing what the awards were or when they were being held and I have never watched an entire awards show from beginning to end-and only a bit of Golden Globes mostly fast-forwarding only to assess the perpetrator terrorists in H-wood and to analyze the situation and how, who and what and why (journalist questions for my study on what the hell was/is going on regarding my situation).
This is the most fun I have ever had, this post, in connection to H-wood awards ceremonies, and I am having fun even if either no one is reading this or the terrorists want to inflict more terror upon me for expressing an opinion that they want to steal ideas from but then torture me for not being just blank, dumb and happy about all these crappy movies and the infiltration aspect and the co-opting of American rebellion by the English and the Nazis and etc.
and all these corrupt contracts flying about around me with these buzzing celebrities trying to suck out all my nectar and life force for their farce of appearing that they care for yet another season of movie awards according to politically-correct "woke" themes>?!
Thus, I also thought of this very funny meme: Wank is playing a Yank
who is really a skank
he stank from his gin and tonic
as he slew the chronic slavic
vying for top role as blonde Nazi iconic
Best Director: the toss-up between the American production company that has been so tied to my torture situation, oncremore this year offering yet another year of downtrodden upstart minority movie themes: the kindly but discriminated against minority in America who must rise from the ashes of stereotyping and racism and sexism and homophobiaism gism. Always a winning theme produced by people welcoming in every Nazi bigot from Europigapeland to come in and infiltrate America with Nazi culture with death squads and gang stalking--always a winning combination for top awards categories while depicting how fair and honest Americas are when it comes to minorities rising out of the ashes of racism. However, there is yet another more direct movie theme which must be pitted against the English lead role character once more, as has happened so often this year in all top movie categories: the English playing an American and co-opting the culture--with the English-connected American blonde Nazi actress playing a most convincing blonde blondeshell fail but still a racist movie about the good ole days of the Silver Screen (reminiscent of the pre-BLM movement, nostalgia at it's very hard core racist disguised as a fun comedy about old time echoes of when the divide was unspoken and understood between black and white. And lo and behold, it's a black and white movie about the good old days--when black was held in check with threat of lynching as the underpinning of interpretation of reality. Lynching also is metaphorical and not literal. The movie just reminded me of a very badly acted reminder of days when all the lines were clear in society. The cinematography was very excellent and charming. I applaud the photography for that film.
As for the other categories, that is all "shop" stuff which I am not even vaguely familiar with. I have not seen many of the films that are up for editing or costume design so I can't judge and this post is mostly focusing on the internal politics of the unpolitically incorrect apolitical partisan film follies for 2021.
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