Monday, April 19, 2021

Another movie review concerning the indoctrination of white males and their sexually excited white wives into white pan-Europ-a racist/fascist supremacist society into Mafia/Nazi ideology but put out as an "entertainment" ultra-violent psychopath "thriller" piece of crap for media devouring mind-controlled thugs to be trained by. The movie is called NOBODY and the actor starring has never bothered me in teleportation or in any way that I am aware of. I only write to describe how I analyze the movie to be an indoctrination into fascist and Nazi ideology.

PLEASE DO NOT LET SCAMMERS LIKE DANNY MOYNIHAN OR THE BRAD PITT GANG STEAL MY IDEAS ANY LONGER--INCLUDING MY PERSONAL FILM REVIEW HERE--SENTENCES OR CONCEPTS DO NOT LET THEM STEAL THIS ANY  LONGER


But I must make it quick because I am finally not too ill from the attacks from Pitt draining my vital essence night-after-night with his barrage of insults and verbal attacks and demands and hate and physical violence--which is not a routine and not an idiosyncratic moment he's now fully a domestic violent type of guy and I am unable to defend myself except by endlessly ranting into the computer for someone to stop this violence and travesty of justice.

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I can now write briefly: the movie begins in such a sweet way I was almost drawn into it before getting really sickened by the excessive violence. In the middle of turning it briefly off, I turned to other famous flicks from the directors and actors who have stolen ideas from me about peace, freedom and how they are such injustice advocates and fascist Nazis--which they turn around into their heroic rescue con artistry

and their movies are absolutely violent and "action-packed" with smug retorts to the adversaries of the supposed "heroes" of justice fighting against nearly impossible odds--usually a lone wolf type scenario which they then surmount through extraordinary superhuman feats of wonder and CGI artistry for movie titillation for mind control programming into a hate and violent society.

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Switching back and forth between Kill Bill, which popped up on my YouTube screen and after many hours of being sick from detox, and the laptop is literally emitting WiFi signals intermixed with other various spectral wave lengths which absolutely affect my brain, viewing choice and decision-making (aka mind control blasting into my brain and changing my decisions on what I like with their subliminals and mood-changing tech to further highlight how what I actually do not like I then find I "like" until I turn the WiFi off and get away from the signal for at least a few hours and my entire mindset is changed with a more natural rhythm and I realize that I have been under most stringent artificial brain-wave alteration.

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Nobody begins almost like a Bruce Lee movie, where the protagonist tries to quell the attacks that are unjust by not resorting to lethal force in response. That draws the viewer into believing that this starring character is a reasonable man capable of restraint and that perhaps there will be some interesting plot device that comes up later on in the movie. However, it degenerates into the typical mass shooting-blood-splattering fest within a few minutes, and that never stops until almost the very last moment of the movie. The movie ends with the expectation and embrace by the formerly bored but then titillated wife responding that she is ready for me--which of course brings about a heightened sexual response and more money for both her and her husband who had "tried" to lead a "normal" life that average people are supposed to live. 

The one dream and goal this couple has is to eventually travel to Italy and spend some time being Italians. I cannot but associate this with the endless programming of Americans into Europ-a fascist mentality and in the situation of Italians, the Mafia influence of the movie with the Frank Sinatra type singing theme also is a subliminal reminder of many other mafia types of films you have all seen repeatedly because they never stop coming out with the very same musical style and theme. You also witnessed it with Trump leaving the White House--this mafia musical theme and of course "I will return" as the promise of more. And the movie Nobody ends with the same promise of "more" to come. More fascism, more violence, more opportunism and more sexual titillation for the blonde Nazi wives at home thrilled that their formerly sexually impotent men who were mainstream and did their office jobs could become violent sexual predators and thus, they could achieve orgasm and even "love" out of this thrilling emergence of the "ubermensch" personality that emerges using the fascist template adorned with the Mafia themes. Mafia and Nazi connections are all that I have been writing about in terms of this H-wood situation that embroils my life, causing me to write about their hate agents endlessly and the hate the agents of the people like Moynihan and Pelosi and the Nazis out of Europe employ to be trained into fascist and Nazi philosophy--who then promote these ideologies in these movies that are recurring templates put out year-after-year with the highest quality and most professional endorsement by the media conglomerate industry pushing these propaganda ideologies of Europ-a-based fascism and Nazism combined with Mafia, which could be Russia and it could be Italy or Brooklyn but essentially the men all integrate into one essential stereotype but only with different accents and languages but they can all communicate and there is nothing left and remaining of the Democratic ideal of intellectual contemplation and human rights and control and sustainable balance within society.


Every movie is a journey into a symbolic representation of a platitude shift or paradigm shift: the movies I write of anyway which are very layered and structured to mean multiple chambers of avenue into this hierarchical structure that this Nazi/Mafia group with it's layers of adherents all conform to so strictly there is little difference between them except accent, language and socioeconomic status--which is the one and only changing variable in the entire spectrum of their conformity.

Those at the top are the only persons allowed to discuss the meanings and the symbolic representations that are put out by their class to influence and peddle off their political/religious (in some cases) ideology--

and now, this is not a small post any longer. This was an extremely brief analysis but I just want to put it out there to the Everyman Nobody Everybody readership hacking into my blocked and censored blog. (thus, I think I will copy this onto Facebook because perhaps there is a larger readership but so far, for over a decade that page under my name has provided these blank, meaningless, hateful personalities with ideas for them to steal so their hate protocols can be augmented by some kind of idealism about changing society so it's not run by rotten young and old white males and their even nastier white female co-conspirators into fascist Nazi/Mafia mentality.

Thus, c'est nes pas La Vie.

But, it is the transition from the striving for The Good which was the hallmark of American society and in so many of these movies with these older actors who are long deceased who fought for justice and never degraded their movies with sex scenes or ultra violence endlessly portrayed as the climactic moment that keeps coming at a very elongated pace until it's a drooping plot device of violence that is only a training manual for fascist Nazi and Mafia cultural indoctrination. 


In keeping with the symbolic transference involved of switching from plain American landscape into the "dream" of going to Italy and the (de)evolulution (in the movie it's supposed to be an elevation in spirit and sexual power and prowess) but--descending into barbarity with a touch of Evil (that was a poster that was on the wall in the study of this Nobody character, as part of the subliminal movie plot programming, if you noticed while watching the movie you can notice it now it's shown in the near opening scene when Nobody escapes to his office to chat with the radio agent posing as a jazz sax musician and the poster is on the wall) but...the touch of fascism is really the touch that this man needs to jump-start him back into his old psychopath secret agent killer position but now with a completely adoring wife who had been sexually frigid before his transition to killer and blunt force animalistic psyhcopath--the training for the American who is being told that good old American life and values are just plain emasculating and that becoming a semblance of a pan-Europ-a cultural stereotype of a Mafia leader combined with a psychopath fascist and voila! Movie plot becomes endless blood and guts and glory and boring boring if you are just a bit tired of the same violence and I am because it's being directed at me in a programmed way in endless repetition just like these movie formulas and plots--so I am sensitized to this content and how it plays out like a broken record and I see and know the programming because I also witness it almost daily with actors who are at this high level of movie mind control programming.

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