Sunday, August 16, 2020

"The Duty of an Artist", as opposed to hate puppets out of H-wood who promote subliminal Neo-Nazi narcolepsy ideology. A continuation of the Swedish swinging political balance and H-wood misrepresentations thereof. Tess Asplund: The woman who faced down 300 neo-Nazis - BBC News

 



A plethora of pro-black rights movies, shows, discussions is now hitting the big home-screens during the pandemic. Blistering accounts of victimization, the word, "systematic" replayed in lively talks by black advocates. One activist after another replays the dialogue and the word resounds and reverberates into the minds of people wanting "change". H-wood is clamoring to fill their endless coffers with more lucrative exploitation schemes designed to systematically deceive the public about their real intentions and ownership. The proprietors of the puppets, their systematic formulaic media fodder for the animal masses ("animals" is what the aristocracy call people who must work for  a living, in London that is what I heard while under attack from a systematic terror/stalking personality who has stolen ideas from me, and his fellow associates in the Whorewood throng are also on board, fully but putting out systematic movie-after-movie about saving the world from sexism, racism and all that Jazz (fizzazz).

Upon doing more tentative, pot-hole "research" (as I wrote, no access to research databases, while operating under a tight-knit controlled hacking systematic block of information, I am left with what is left and remaining on YouTube about real-life situations instead of studies and research which also is sometimes a result of who is funding the research, not always so pristine in measurement or result or analysis or data. So much is skewed in these representations in favor of some group funding the movies or research, or videos, or simply by not blocking content that is a form of "funding" or allowing information to be put into larger population access.

The Swedish story of Stieg Larsson, his partner, lover and probably the key to the Millennium series and it's feminist content, Eva Gabrielsson, is the story of greedy and rapacious theft of intellectual property. The movie out of Hollywhorewood, starring one of the associates of the English "aristocrat" (associated with English royalty as one of the heirs to the "art" portrait staff painting royal pictures, but a son, not the painter who won the fame and claim of talent--the man I wrote of in the above paragraph--actually, his name is Moynihan, I have written  of him often. He is an evil villain. His friends are part of the English "royalty" in the H-wood industry. One of them, perhaps he is not in league with this script but I believe he is an accomplice or looks the other way (which in part makes him an accomplice) has starred in the awful H-wood adaptation of the most incredible Swedish version of the Millennium Trilogy. 

There are various points deviating from the original movie script which turns the intended strength of the "feminist" character into the soft, accomplice Nazi who plays in the lead role out of H-wood--who has been putting her face on my internet and on every YouTube search, and in everything I search regarding this Swedish situation. All the hacks are part of a psy-ops campaign to insert their faces into my subconscious. Their inclusion into this hate, bigot racist scheme of promotion is also just for that: promotion. Anyone who participates, whether they be Oprah Winfrey or the rest of the black squadron associated with H-wood who are "friends" with the bigots who are torturing and raping and attacking me, which is to say not "all" but the major lead faces you can almost endlessly see year after year in media productions. But, I write this because her face was closely followed by the faces of the women who are participating in this torture Nazi scheme of attacking me, ;but as usual, after having stolen the concept they turn all around into a misogynist, hate and racist subliminal text but interwoven very craftily into their ostentatious displays of feminist "strength". In one scene, deviating from the original, when the Lisbeth Salander character makes a bold move of following the villain who has been slaughtering immigrant females in the basement of his mansion, because his family inherited Nazi ideology, participated in the Nazi movement, and as Stieg Larsson also has done vigilant research into the Swedish and international Nazi movement is aware of how these people operate. In the Swedish version, which may follow more closely to the original story as written by Larsson and undoubtedly influenced by his very strong lover/"partner" Eva Gabrielsson, the woman does not "ask permission" to go after and run down the killer Nazi villain. She rescues the character Bloomqvist, and goes out with gun in hand to chase down the Nazi character.. Not so for the H-wood version. She has so limply ask for permission by the male she just rescued to go out and kill the assailant. This deviates very strongly from the original, and it is the characteristic of brainwashing and manipulation techniques to turn around a concept at one single pivotal point, and turn it into it's opposite.

I am writing at 3 a.m. and the hacking is almost non-existent. That is because the stalker terrorist hackers are actual human beings and this is not a malware program. This proves that all the hacking is done by hand by individuals. I normally am in a comatose sleeping state at this time. Today, though, I felt so ill after eating a huge pasta meal that I went to sleep before sunset. Now I am aware in the black of the night, happily typing at some kind of normal speed. I do write with hesitation and meander in thought process because that is the norm of technology aimed into my brain (at all times).

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I will not go into feminist theory at this point about how women must ask men for permission to display characteristics of independent action, thought and prowess that threatens male machismo. One of the main tenants of Nazi and programmed bigot philosophy is of female submission and male domination. White male domination but the pawns and puppets can also play domineering abuser if they push down the minority females into their respective subordinate roles. That, of course, is my personal theory and it is a huge gross overstatement of the mindset of oppression. There are of course intimate divergences from these disastrous actions and their intended effects. That, however, is what the H-wood movie, with it's English Nazi bigots, are promoting albeit in the guise of female emancipation. The woman who plays the lead role is part of this attack system upon me, where celebrities post endless photos of themselves on my every media and internet search, wherever possible. Actually, they are paying other people to do this, of course. The fact of me writing this is me stepping onto a very brittle limb over a chasm of discrediting accusations of delusional schizophrenia. That is also their intended subverted attack system, these people who promote hate while putting all  out as :Love in it's fight against oppression.

The weak but posturing "strength" of this female bigot playing the H-wood version is so utterly characteristic of the racist "feminist" movement. The weakness is of one central point and creates a fragility in the overall movement: the racist element that these women who are mostly white, with their "minority" counterparts who are part and parcel of this systematic racist system of feminist media output, create this weak link where racism and oppression (culminating in rape, torture and murder) is allowed and actually applauded by these women, as I see all the time by these actors putting out "feminist" theory and movies often stolen by my ranting writings, drugged up, which they applaud as their husbands and lovers rape and torture me, they have me disfigured because they want to feel elated and beautiful as they watch me get destroyed by their terrorist agents and husbands raping and abusing me and then they all make insulting comments afterwards to try to rub in more ugliness that they pour out onto me, so they can feel elated afterwards. Oh, this is one of the great tantalizing aspects of this situation in the recruitment process, this rush of power and the thrills of abusing someone else with no block, no evidence, and promotions besides and lots and lots of financial rewards by this Nazi-controlled media conglomerate pushing out racist and bigot agendas left and right into the void and chasm of the brainwashing sheeple media entertainment complexes inhabiting their brains and minds and hearts and souls.  The weak link exists because once someone attains power and is no longer an oppressed "minority" or rape victim or home-bound housewife or discriminated against female in the employment scheme, they can't wait to emulate the white male racist bigots who they have been fighting against. 

This applies so strongly to the waves of white males who finally reach some kind of settlement in the big Daddy divorce proceedings and when they finally become the Big Daddies they had once rebelled against, boy how they cling to the role and become, often, more rigid than their big Daddies they had cried about in their movies, songs and books. They continue to wear and don the costumes of rebellion and they are then rewarded further by this crusty the clown media entertrainment complex for keeping the sheeple oppressed intellectually into following a creed of fake it until you make it until you are in the power scheme of things and then keep up the illusion of change and rebellion.

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I could not help from straying in thought, but at least I am not utterly blocked by hacking as is always the custom. The hackers are all sleeping or out partying or whoring around at thus time thus I have this brief window of opportunity to write or type just a bit. Of course I must continue to backspace to correct because there is always someone to attack me no matter what time or day.

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One thing about these Nazi mafia H-wood celebrities and their defender Nazi mafia proponents, backers, financiers, is that like the fascist contingent that sponsors them, they attack whomever they can who offers the slightest criticism of their "art". I have experienced this non-stop since the actors began teleporting me. They teleport me while I am asleep, in a drugged-up hynotized state, using "truth serum" technology and drugging. I offer them my analysis which is that they "suck" because I grew up reading and being taught literary analysis and the deconstruction of text. I find almost all  of their movies to be brief on content and long on racist ideology disguised as alternative fight for "Democratic" values of equality, anti-racist, anti-sexist rhetoric. I am tortured for this and all I see of these people is that they do not understand the technology or what they are doing. They are given an incentive to attack me after obtaining and extracting through torture and mutilation, threat of death, poisoning and the parralysis of my body, the destruction of my home and finances--just exactly where the bigots want me stuck in some hell of torture, stuck and paralyzed and no one ever assisting or helping me to live in peace--their paradise and here I am in their SE Asian "Paradise" of slavery. The same system applies in a more watered down but as insidious version in America (and beyond, and what they promulgate into the media and push into the minds of the viewers).

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I am watching a German documentary on the Swedish subject of the Neo Nazi movement and Stieg Larsson, with his most competent lover Eva Gabrielsson (whose books I would like to read, if they are available in English, if I can not be drugged any longer and able to focus and concentrate to read and not have my vision blurred by terrorists attacking my vision through these implanted microchips which force tears out of my eyes, amongst a litany of other torture attacks on my body through which these implants operate to thwart and stop my empowerment and study and concentration).

The German documentary so openly details stalking and Nazi terror operations which are openly discussed in the documentary. The Swedes knew implicitly how the Nazis operate and their modus operandi. NOT SO in the American media conglomerations. There is absolute silence on these matters. The systematic deterioration of human beings continues through the media sheeple entertrainment outlets and their insidious actors, meek bot "bold" racist, Nazi black and white female haters partnering with bigot Nazis, disguised as "liberals" in the media--watered down versions of hate propagandists and PAID IN BILLIONS FOR IT.

I am now exhausted, the backspacing commences, and also my brain is under attack by their technology. It is extremely enervating to fight to think and type any longer.

I have only briefly gone into these themes. The rest is being scrutinized for content to be stolen by "them" these actors and their writers and producers. I remain exhausted and cannot get past a few paragraphs--on a "good" day of being able to type, which is this one day out of years of being stuck in rhythmic pattern where the terrorists know at what time I get on the laptop and when I am available for hacker intrusions. The hackers are going on now but as I wrote, they are much less intrusive than normal as the people being paid for this one specific purpose are out whorung around or sleeping with their whores. They are watching Whorewood movies at the same time.



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